Margaret Lee’s uncanny storefront display juxtaposes graphic backdrop painting with simulated fruit, while Oliver Laric premieres a new mandarin version of his distributed video essay, versions (2009–onward).
london-based collective Åbäke captures silicon molds for a danish/chinese pietà in “hacked intaglio,” and Amie Siegel’s berlin remake (2005) approaches east german filmic precedents as contemporary scores for reprise and re-performance.
the presentation of these disparate works at P! establishes frameworks for considering authenticity and origination across a variety of cultural contexts.
CONTRIBUTED BY MIMI ATOR